"An Analysis of Linguistics-Based Approaches to the Classification of Literary Techniques: An Interdisciplinary Perspective “

نوع مقاله : مقاله پژوهشی

نویسنده

Department of Persian Language and Literature Education, Farhangian university, P.o.Box 14665-889, Tehran, Iran

10.30465/lir.2025.51823.2016
چکیده
Rhetorical figures correspond to what is now called "foregrounding" in linguistic studies. Extra-regularity and deviation are considered types of foregrounding. Based on the concept, and considering the distinctions, Haghshenas makes among literary modes. Safavi, in his book From Linguistics to Literature, separates verse-creating and poetry-creating tools, proposing "the rhetoric of verse" (Badi'-e Nazm), "the rhetoric of poetry" (Badi'-e She'r), and "the rhetoric of prose" (Badi'-e Nasr).The purpose of this study is to examine whether a clear distinction can be made between the tools of verse-creating and poetry-creating, meaning that we believe techniques based on extra-regularity, which operate outside of language, have no role in creating poetry, whereas techniques that operate within language always transform it into poetry. Drawing on Russian Formalism and employing a documentary method with an analytical approach, this study investigates this possibility. The arguments presented demonstrate that, since the concept of form in Formalism is an interconnected structure, separating word and meaning is inherently unfeasible. Moreover, poetry is a unified whole, and the role of each element becomes meaningful only in relation to other textual components. Thus, figures of word can also contribute to a text's poetic quality, and dividing rhetorical figures into "the rhetoric of verse" (Badi'-e Nazm), "the rhetoric of poetry" (Badi'-e She'r), and "the rhetoric of prose" (Badi'-e Nasr) does not appear logically justified. Although it is very helpful and valuable in understanding the structure of rhetorical devices and grasping the connection between language and literature.

کلیدواژه‌ها

موضوعات


Ahmadi, B. (1995). Truth and beauty. Tehran: Markaz Publishing House.
Ahmadi, B. (2010). The text-structure and textual interpretation. Tehran: Markaz Publishing House.
al-Jurjānī, A. (1995). Asrār al-balāghah (J. Tajlil, Ed.). Tehran: Tehran University Press.
Al-Sakkaki, A. Y. (n.d.). Miftāḥ al-ʿulūm. Egypt: Literary Press in Souq al-Wagher al-Qadim.
Eikhenbaum, B. (2006). The theory of formal method. In T. Todorov (Ed.), Theory of literature (A. Tahaei, Trans.). Tehran: Akhtaran Publishing House.
Haghshenas, A. M. (1992). Poetry, prose and poetry, three literary genres. In S. A. Mir-Emadi (Ed.), Proceedings of the Second Conference on Theoretical and Applied Linguistics. Tehran: Allameh Tabatabaei University.
Homāyī, J. (1992). Rhetoric and literary crafts. Tehran: Homa Publishing.
Jakobson, R. (2001). The poles of metaphor and metonomy (K. Safavi, Trans.). In F. Sojoodi (Ed.), Structuralism, poststructuralism and literary studies. Tehran: Hozeye Honari.
Kardgar, Y. (2007). A look at the classification of creative industries along with a critique and analysis of verbal industries. Journal of Grammatical and Rhetorical Research, (3), 145–178.
Mazandarani, M. H. b. M. S. (1997). Anwār al-balāghah (M. A. Gholaminejad, Ed.). Tehran: Qiblah Publications.
Mohabbati, M. (2002). Badi'e-e-no. Tehran: Sokhan.
Mohammadi, D., & Eslami, M. R. (2018). Language architecture; a proposal in the classification of the elements of speech beauty. Journal of Rhetorical Linguistic Studies, (17), 205–234.
Mohammadi, G., & Sayadkoh, A. (2024). Incorrect division of creative industries into verbal and spiritual. Grammatical and Rhetorical Research, 14(25), 189–205.
Natel-Khanlari, P. (1988). Persian poetry (2nd ed.). Tehran : Toos Publications.
Pournamdarian, T., & Tehrani Sabet, N. (2009). Associations and rhetorical figures. Literary Arts, 1(1), 1–12.
Pournamdarian, T., & Tehrani Sabet, N. (2011). Figures of speech in modern poetry. Contemporary Persian Literature, 1(1), 25–37.
Rādūyānī, M. b. O. (1983). Tarjumān al-balāghah (A. Atash, Ed.). Tehran: Asatir Publications.
Safavi, K. (2004a). From linguistics to literature (Vol. 1: Poetry). Tehran: Soure Mehr.
Safavi, K. (2004b). From linguistics to literature (Vol. 2: Poetry). Tehran: Soure Mehr.
Shafiei-Kadkani, M. R. (2005). Poetry music. Tehran: Agah.
Shafiei-Kadkani, M. R. (2013). The language of poetry in Sufi prose. Tehran: Sokhan.
Shams-i Qays. (1994). Al-Muʿjam fī maʿāyīr ashʿār al-ʿajam (S. Shamisa, Ed.). Tehran: Ferdows.
Shklovsky, V. (2002). Art as a technique (F. Sassani, Trans.). In F. Sojoodi (Ed.), Structuralism, poststructuralism and literary studies. Tehran: Hozeye Honari.
Sojoodi, F. (2005). Semiotics and literature. Tehran: Farhang Kavash.
Soleimani, Z. (2011). Pathology of badiʿ with regard to its evolutionary process. Daneshnameh Publication, (1), 41–55.
Taqavī, N. (1938). Hanjār-e goftār. Tehran: Bija.
Tehrani Sabet, N. (2020). Lexical coherence devices in modern poetry. Practical Rhetoric & Rhetorical Criticism, 5(1), 123–135.
Todorov, T. (2006). Theory of literature (A. Tahaei, Trans.). Tehran: Akhtaran Publishing House.
Webster, R. (2003). An Introduction to the study of literary theory (E. Dehnavi, Trans.). Tehran: Roznegar Publications.
Zahedi, J. (1967). Speech method in the art of meaning, expression and originality. Mashhad: University Printing House.
Zakaei-Beizaei, N. (1985). Poetry criticism. Tehran: Ma Publishing House.
Zif, S. (2004). History and development of rhetoric (M. R. Turki, Trans.). Tehran: Samt.