Literary interdisciplinary research
maryam dorpar; helma Amiri
Abstract
رمانس امیرارسلان که در روساخت یک روایت عاشقانۀ طولانی است و در آن حوادث خارق‌العاده روی می‌دهد، مورد توجه ناصرالدین شاه قاجار بوده است. با توجه به این که در نظام پادشاهی، ...
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رمانس امیرارسلان که در روساخت یک روایت عاشقانۀ طولانی است و در آن حوادث خارق‌العاده روی می‌دهد، مورد توجه ناصرالدین شاه قاجار بوده است. با توجه به این که در نظام پادشاهی، شاه در رأس هرم قدرت قرار دارد و روایت-شنویی او می‌تواند معنادار باشد، مسئله‌ای که پژوهش حاضر بدان می‌پردازد، بررسی رابطۀ معنادار بین روایت امیرارسلان با زندگی و شخصیت روایت‌شنو خاص آن- ناصرالدین شاه- است. این مطالعه از طریق بررسی مقولۀ قدرت در رمانس امیرارسلان به انجام می‌رسد؛ با طرح این پرسش‌ها که چه عواملی در ایجاد قدرت فرادست در این رمانس نقش دارند و مقولۀ قدرت به چه انواعی قابل دسته بندی است؟ و چه رابطۀ معناداری بین زندگی و شخصیت ناصرالدین شاه و روایت امیرارسلان وجود دارد؟ نتایج پژوهش نشان می‌دهد که در زیرساخت این روایت عاشقانه، قدرت مقوله‌ای پیچیده است که با ابزارهایی مانند برجسته‌سازی و حاشیه‌رانی، شکل‌گیری هویت‌های چندگانه، موقعیت سوژه‌ها، تخاصم و غیریت‌سازی و عشق به‌عنوان ابزاری قدرتمند که مبارزه را به‌عنوان دال مرکزی در درون گفتمان خود دارد، شکل می‌گیرد و به انواع قدرت نرم و قدرت سخت قابل دسته‌بندی است. همچنین نتایج پژوهش نشان می‌دهد که امیرارسلان در جایگاه قهرمان، دالی است که جانشین استعاری غیاب بزرگ شجاعت، مسئولیت‌پذیری و اعتماد به نفس بالا در وجود ناصرالدین شاه بوده است و تحقق آرزوهای دست نیافته ناصرالدین شاه - در دوران، کودکی، جوانی و بزرگسالی- در جهان روایت، این قصه را برای او چنان جذاب نموده که چندین بار از زبان نقال زبردست دربار به این قصه گوش فرا داده است.
Literary interdisciplinary research
Afsaneh Ghiyasvand; Mohsen Akbari
Abstract
Every narrative is made up of elements, and these narrative elements take certain forms and methods based on the listening narrative and the concepts focused in it. Narrative rhetoric is the supervisor of the influence of narration on listening narration, which also shows the conscious creation of narrations ...
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Every narrative is made up of elements, and these narrative elements take certain forms and methods based on the listening narrative and the concepts focused in it. Narrative rhetoric is the supervisor of the influence of narration on listening narration, which also shows the conscious creation of narrations to convey concepts. Majid's stories are among the works of fiction that are created based on the representation of the cognitive world of children and adolescents and are suitable for their mental world. This research, with a descriptive and analytical method, seeks to explain the role of rhetoric in the narration of these stories. The results of the research indicate that: Hoshang Moradi Kermani, in the form of a character in the story (a young narrator), adheres to the requirements of the world of children and teenagers and the specific language of their narratives, and creates images of tangible and tangible things. which is very compatible with the cognitive world of children and adolescents. Paying attention to listening narration in these stories has made the language and expression of the stories, the rhetoric hidden in them, the narrative mechanisms and the concepts focused in them to be used in accordance with the listening narration.
Literary interdisciplinary research
mehdi sabzevari
Abstract
This paper will study the concept of American exceptionalism which defines America as an exception to the rest of the world has been depicted in different novels and media in two different American novels. The analysis based on the actantial Discourse which is a semiotic one could shed more light on ...
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This paper will study the concept of American exceptionalism which defines America as an exception to the rest of the world has been depicted in different novels and media in two different American novels. The analysis based on the actantial Discourse which is a semiotic one could shed more light on this concept in the contemporary American literature .According to this concept, America is exceptional in life style and it can be considered as a role model politically, economically, artistically etc. for the rest of the world. Therefore America will be a symbol of free and prosperous life and democracy. This American exceptionalism could be followed in two novels: Terrorist (2006) by Updike and Expensive People (1972) by Oates. Although these two novels present American exceptionalism in two different perspectives, the basic concept can be traced in both novels. This paper will read two novels through semiotic analysis of the actantial Discourse in a broader concept in literature.
reza mobini soochelmaii; Monireh Farzishob
Abstract
AbstractFilm adaptation from the literary works has nearly existed since the advent of cinema. Hamoun; a movie directed by Dariush Mehrjui, has also been made based on the well-known novel Boof-e Koor (the Blind Owl) written by Sadegh Hedayat relying on adaptation. The main objective of this study is ...
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AbstractFilm adaptation from the literary works has nearly existed since the advent of cinema. Hamoun; a movie directed by Dariush Mehrjui, has also been made based on the well-known novel Boof-e Koor (the Blind Owl) written by Sadegh Hedayat relying on adaptation. The main objective of this study is to express the content common point and to compare the element of time in the novel Boof-e Koor (the Blind Owl) with its adapted cinematic work that is the movie Hamoun. The research method employed in this study is analytical-descriptive founded on description of the statement and the research is written based on Gerard Genette Narratology theory. This comparison has been made regarding the theme and overall content of the two works. Moreover, it is specifically based on Genette`s Narratology theory with three core concepts of order, duration and frequency and the initial results indicate that:1. In transferring Boof-e Koor to Hamoun the director has taken a moderate stance emphasizing the authenticity and independence of both adapted work and the source work.2. In the theme part the two works correlate strongly with each other since both narrate the life of an isolated person fed up with his surrounding people and environment who takes refuge in the unconscious mind.3. Both works do not follow a specific chronological order and are narrated in an anachronistic way.
chnoor Saidi; Hasan Karimian
Abstract
Every artistic narrative, including the art of painting created by narrators, contains a set of narratives that are given identity during the narrative and a sound from within the world of the paintings that belong to the artist. To the outside world quotes. the painter has a variety of viewing angles ...
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Every artistic narrative, including the art of painting created by narrators, contains a set of narratives that are given identity during the narrative and a sound from within the world of the paintings that belong to the artist. To the outside world quotes. the painter has a variety of viewing angles for the narrating his purposeful exterior and in pictures as well as being a narrative, playing roles being in the narrative process, including: function’s (representation, control and interpretation) the present study seeks to answer these questions what functions of the painter based on the narrative painter discourse of Jep lint volt in his paintings?which function overlaps with other functions? what is the effect of the prevailing function on the paintings ? the present study is a descriptive-analytical study of interdisciplinary library studies of ancient art and literature to answer the above questions by examining the works of kamaludin behzad herati in the timurid period. Processing interpretive function by the artist, and con also be attributed to the ethical and educational aspectof the work, which is highly influential in the content genre of the image, on othrough it’s function and responsibilities, the artist engages the educational aspect the presence of paintings leads.
ZAHRA HAYATI; HOSSEIN SAFI; FARNOOSH MIRZAIEE
Abstract
In this research regarding Gerard Genette’s theory, the inseparable element of narrative, which is time, is studied and for this purpose the adapted film “Shohar-e Ahoo Khanom” and its fictional source are studied and compared to each other in order to analyze the performance ...
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In this research regarding Gerard Genette’s theory, the inseparable element of narrative, which is time, is studied and for this purpose the adapted film “Shohar-e Ahoo Khanom” and its fictional source are studied and compared to each other in order to analyze the performance of the common narrative element in the literary and cinematic discourses in which there is adaptation. In discussing about narrative chronology according to Genette’s point of view, three features are considered to be analyzed: a) Order of events: event sequencing in narrative discourse. b) Frequency of events: the proportion between the number of reappearances of an event in narrative discourse and the probable times of occurance of the same event in the storyworld. c) Duration of events: the amount of time allocated to each event in narrative discourse.The results of the research show that: 1. The presentation of film events is strongly influenced by the book and there is no creativity in this field. All story events are briefly selected and displayed in the same natural order. 2. In the story, the frequency of events is often single-player (that is, the number of occurrences in the world of the story), and this topic Because of the nature of the story (novel), but in the film, the frequency of some events is decreasing; 3. According to the volume of the book of the husband's husband, the narrative beat in the book is slow, while the narration in the film, Due to numerous removals, it has been steadily rising and even occasionally contradicting narratives.
