Mina Behnam
Abstract
The category of adaptation as one of the branches of comparative literature is an attempt to create new texts based on the construction and content of previous texts.. Regardless of comparative literature, this topic communicates between literature as speech and writing and cinema, theater and painting ...
Read More
The category of adaptation as one of the branches of comparative literature is an attempt to create new texts based on the construction and content of previous texts.. Regardless of comparative literature, this topic communicates between literature as speech and writing and cinema, theater and painting as image with an intertextual view and attempts to discover the relationship in these areas. The sampling is based on the stories of Sheikh San'an, Bersiesa, Jorayge, Faust, Antoine Saint and Ta'iees.Primarily, the problem of this research is the study of the structure of stories and the discovery of similarity and difference of them; then, the processing of such stories is done based on Joly Sanders's theory of adaptation. The discovery of the transformation of characters and the different destiny of the hero is the result of the first problem and the discovery of the influence of ideology on the process of adaptation of the director, the painter and screenwriter, as well as the use of the elements of these stories on the basis of time and audience needs, is the result of the main problem of this research
Morad Esmaeeli
Abstract
Representation of Worldly Pleasure in the Poetry, Painting and Architecture Safavid Era Based on Henry Ramack Approach address the linkage among literature, painting & architecture in Safavid era. Embedded in Remack’s theory of Comparative Literature and Art, this study is to disclose how the ...
Read More
Representation of Worldly Pleasure in the Poetry, Painting and Architecture Safavid Era Based on Henry Ramack Approach address the linkage among literature, painting & architecture in Safavid era. Embedded in Remack’s theory of Comparative Literature and Art, this study is to disclose how the same concept has been represented in different forms in poetry, architecture and painting in that era. Findings show that joy on earth or entertainment-related reading, one of the main components of secularism, seems to be one main presupposition which makes the building blocks of thought and art in the era. In fact, Safavid poets, painters and architects have specifically drawn their own attention to joy/entertainment related aspects. In fact, Safavid poets, painters and architects have specifically drawn their own attention to joy/entertainment related aspectsIndeed, they have created their own work in various forms referring to this component. Key words: Safavid Era, comparative literature, Henry Remack, poetry, painting, Architcture.
chnoor Saidi; Hasan Karimian
Abstract
Every artistic narrative, including the art of painting created by narrators, contains a set of narratives that are given identity during the narrative and a sound from within the world of the paintings that belong to the artist. To the outside world quotes. the painter has a variety of viewing angles ...
Read More
Every artistic narrative, including the art of painting created by narrators, contains a set of narratives that are given identity during the narrative and a sound from within the world of the paintings that belong to the artist. To the outside world quotes. the painter has a variety of viewing angles for the narrating his purposeful exterior and in pictures as well as being a narrative, playing roles being in the narrative process, including: function’s (representation, control and interpretation) the present study seeks to answer these questions what functions of the painter based on the narrative painter discourse of Jep lint volt in his paintings?which function overlaps with other functions? what is the effect of the prevailing function on the paintings ? the present study is a descriptive-analytical study of interdisciplinary library studies of ancient art and literature to answer the above questions by examining the works of kamaludin behzad herati in the timurid period. Processing interpretive function by the artist, and con also be attributed to the ethical and educational aspectof the work, which is highly influential in the content genre of the image, on othrough it’s function and responsibilities, the artist engages the educational aspect the presence of paintings leads.
