Document Type : Original Article
Authors
1 Assistant Professor, Department of Persian Language and Literature, Faculty of Literature, Alzahra University, Tehran, Iran
2 MA, Art Research, Alzahra University, Tehran, Iran
Abstract
In the researches of contemporary literary criticism, interdisciplinary analyzes between various fields and types of art are of great importance. This issue arose from the intertextual theories that started with the dialogue approach of Kristeva and Bakhtin's texts and reached its peak in the intertextual discussions of Gérard Genette. In the meantime, examining the relationships and dialogues between literature and other arts is very attractive among literary critics. Therefore, this research tries to investigate the relationship between Sadegh Hedayat's works and Qasim Hajizadeh's paintings with a descriptive-analytical method and with a more textual approach by Gerard Genet. From the results of this research, we can point to the direct and unconscious influence of Hedayat's character and his narratives on both linguistic and content levels in the form, structure and message of Hajizadeh's works. This effectiveness can be mentioned in the form of color selection, personality, location and use of visual symbols. On the other hand, in the field of messages such as anti-superstition, a critical look at the society's perception of women, isolation and alienation from oneself, and loneliness of modern man, Hajizadeh is more than anything influenced by the text and content data of Sadiq Hedayat.
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