Document Type : Original Article
Authors
1 Assistant Professor, Dari Persian Language and Literature Department, Faculty of Education, Jawzjan University, Jawzjan, Afghanistan
2 Assistant Professor of Persian Language and Literature Department, Imam Khomeini International University, Qazvin, Iran.
Abstract
Trantextuality is one of the most important approaches in humanities studies and literary criticism, which deals with the effects and communication of texts and studies, and examines co-presence relationships and overlaps of literary works. According to the theory of transtextuality, no text is created without borrowing from previous texts. These two types of texts, which are called pre-text and hypertext respectively, have different Trantextualité relationships. To put it better, all elements of the pre-text can be changed and transformed in the hypertext, so that new texts emerge from them. For this reason, the current research, based on the theory of Gérard Genette's transtextuality, and relying on statistical data in a descriptive-analytical way, examines and analyzes the quality and quantity of the influence of Raziq Faani among previous poets. The findings of this research show that under the influence of the predecessors of Persian poetry, Raziq Faani wrote the forms of Ghazal, Masnavi, Qaseedah, Makhmas, and Ghazal-Masnavi. In these formats, he has written romantic, social, critical, Resistance, didactical, and mystical themes based on intertextuality, paratextuality, and Architextuality. Faani created these poetic forms according to the poems of Abu Salik Gorgani, Rudaki, Ferdowsi, Jalāl al-Dīn Muḥammad Rūmī, Hafez, Bedil, Moshtagh Esfahani, Yaghma-ye Jandaqi, Shater Abbas Sabouhi, Ismael Balkhi, and Simin Behbahani. Among these, Faani has paid the most attention to the poems of Mowlavi and Hafez, and has been influenced by the poems of them in a systematic way based on the relationships between hypertextuality, paratextuality, and intertextuality.
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