Document Type : Original Article

Authors

1 Associate Professor of Persian Language and Literature, Research Institute of Persian Language and Literature, Research Institute of Humanities and Cultural Studies

2 Associate Professor of Persian Language and Literature, Research Institute of Persian Language and Literature, Research Institute of Humanities and Cultural Studies.

3 Ph.D. scholar in the field of Persian language and literature from Institute for Humanities & Cultural Studies

10.30465/lir.2023.43524.1640

Abstract

By analyzing the different layers of the text, critical stylistics seeks to identify hidden concepts beneath the surface of the language and to discover the ideology that governs it and the networks of power in the text. Given that the Dervishian are ideological, protesting, and critical writers of the time, understanding the ideologies and, consequently, the social, economic, and cultural disorders of his day is of great importance among his works. The present study was done with a critical stylistic approach and in a layered manner using descriptive-analytical and statistical methods; It seeks to answer these questions: First, what are the most obvious stylistic features of Ali Ashraf Darvishian's stories with regard to layered stylistics? What is the hidden ideology of the hypertext of Dervishian stories? And how are power relations manifested in the stories of Ali Ashraf Darvishian? The results of this study indicate that the most prominent feature of the style of Darvishian's stories is the application of the element of the centralization and the author's ideology includes "fight against poverty", "fight against ignorance", "fight against injustice" and "fight against tradition". Also, as can be seen from the Darvishian stories and looking at Michel Foucault's definition of power, it can be said that power in this series of stories is a chain, complex and layered category at all levels of society.

Keywords

Main Subjects

Bayad, M., & Nemati, F. (2005). Focalization in narration. Literary Research, 7, 83-108.] In Persian [.
Dorpar, M. (2014). The investigated layers in the critical stylistics of short stories and novels. Language Related Research, 5, 65-94. ]In Persian[.
Dorpar, M. (2013). Investigating the stylistic features of the short story "Jashan Farkhondeh" by Jalal Al Ahmad with a critical stylistic approach. Language Related Research, 1, 39-63.] In Persian [.
Darvishian, A.A. (1975). Abshouran. Tehran: Javidan publication. ]In Persian[.
Darvishian, A.A.)No date). Personal Interview. ion.ir/news/278275. ]In Persian[.
Darvishian, A.A. (1996). Personal Interview. ovraz.blogfa.com/post/24.] In Persian [.
Darvishian, A.A. (2002). How and why. Tehran: Eshareh publication. ]In Persian[.
Darvishian, A.A. (2000). Memories of Safar Khan in conversation with Ali Ashraf Darvishian. Third edition. Tehran: Cheshmeh publication. ]In Persian[.
Elahiyan, L. (2012). Examining the importance of tissue in literary inquiry. Literary Research, 36 & 37, 35-50. ]In Persian[.
Fotoohi, M. (2013). Stylistics, theories, approaches, and methods. Tehran: Sokhan. ]In Persian[.
Foucault. M. (2005). Care and punishment: the birth of prison. Translated by N. Sarkhosh & A. Jahandideh. Tehran: Ney publication.
Ghaderzadeh, H., Noori, H,. & Naami, A. (2012). Recognizing the concept of power in Foucault's thought. Occidental Studies, 2, 107-127. ]In Persian[.
Gholami, N. (2012). Stylistic analysis of Abshuran story collection by Ali Ashraf Darvishian. Master's thesis. Faculty of Literature, Allameh Tabatabai University. ]In Persian[.
Hoglund, E. (2021). Land and revolution in Iran. Translated by Firoozeh Mohajer. Second edition. Tehran: Shirazeh Publication.
Mclvor, R, M. (1975). Society and government. Translated by Ibrahim Ali kani. Tehran: The publishing house.
Modarresi, Y. (1989). An introduction to the sociology of language. Tehran: Institute for Humanities and Cultural Studies. ]In Persian[.
Nikseir, Z & colleagues. (2020). Examining ideological historiography and the components of socialist realism in the collection "From the suffering we take" (with a critical stylistic approach), Case study: "Dere Khazanzhad" and "Zirabiha". Research Journal of Literary Schools, 7, 101-130. ]In Persian[.
Navabakhsh, M & Karimi, F. (2009). Analyzing the concept of power in the theories of Michel Foucault. Quarterly journal of political science, 3, 49-63. ]In Persian[.
Rimmon – Kenan, S. (1983). Narrative fiction: contemporary poetics. London: Routledge. 
Safipirloojeh, H. (2016). An introduction to the critical analysis of narrative discourse. Tehran: Ney publication. ]In Persian[.
Sasani, F. (2010). The effect of textual context on the meaning of the text. Journal of Language Research, 3, 109-124.] In Persian [.
Sojoodi, F. (2008). Functional semiotics. Tehran: Elm. ]In Persian[.
Simpson, P. (1993). Language, Ideology, and point of view. London: Routledge.
Thompson, G. (2004). Introducing functional grammer. Secend ed. Newyork: Arnold.
Tajalli, M., Aali Abbasabad, Y,. & Soleimany, S. (2020). Stylistics of “I turn the light out” with critical stylistics. Literary textual research, 86, 55-79. [In Persian].
Tyson, L. (2008). Critical Theory Today. Translated by Hoseinzadeh, M., & Hoseini, F. Tehran: Today point of view.
Van Dijk, T. (2001). Multidisciplinary CDA. A plea for diversity. In R. 
Yarmohammadi, L. (2004). Mainstream and critical discourse. Tehran: Hermes. ]In Persian[.