Literary interdisciplinary research
Sadeq Rashidi; fatemeh azimifard
Abstract
The present article, as a qualitative research, has been written with an analytical approach and aim to explain the concept of adaptation from the perspective of intertextuality theory, and has examined intertextuality theory and several other key concepts. It seems that the concept that is presented ...
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The present article, as a qualitative research, has been written with an analytical approach and aim to explain the concept of adaptation from the perspective of intertextuality theory, and has examined intertextuality theory and several other key concepts. It seems that the concept that is presented in the performing arts as an adaptation is in fact a traditional preparation and technique and idea about the meaning of taking from previous texts, which can be explained basically by the theory of intertextuality. The concept of adaptation traditionally emphasizes a kind of omnipresence and explicitly highlights an aspect of the broad and complex dimensions of the various relationships between texts. In general, one of the most important consequences of the development of intertextuality theory and intertextuality theories has been the gradual dissolution of the concept of text as a coherent and autonomous semantic unit, which in turn has led to a shift from a single, independent and mythical text to a new concept of it. That is the way in which texts are related to other categories and texts. Therefore, explaining the nature of adaptation and its relevance to intertextual theory requires our familiarity with some important theoretical concepts proposed by Genet under the theory of hypertextuality, which we have examined in this article.
Alireza hosseyni; fatemeh zamani; laila sahraiyan
Abstract
Bohtory is one of the prominent Arab poets in Abbasid era. His poetical works contains many descriptive and praiseworthy poems that deal with Iranian history, culture and art in various forms. According to the content and texture of the word, recreates the great kings, musical instruments, architecture, ...
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Bohtory is one of the prominent Arab poets in Abbasid era. His poetical works contains many descriptive and praiseworthy poems that deal with Iranian history, culture and art in various forms. According to the content and texture of the word, recreates the great kings, musical instruments, architecture, clothes and names of Iranian cities, etc. Therefore, studying how and why Iranian culture and thinking is better influenced is very important. Therefore, the present study, relying on the intertextuality approach that explores the influence of texts from each other, has considered Iranian history, culture and art as a per- text. Then, the various forms of the presence of this hidden-text in the context of the poems and words are examined better and its implication and semantic levels are analyzed. The result of this study indicates that Bohtory, by mentioning the geography of the land of Iran and mentioning its cities well in his poems, has praised the geography of Iran for welcoming his Iranian praisers. By likening his praises to the Iranian kings and ministers, he forms a descriptive system of Iranian sultans with the meaning of power and monarchy. The poet also pays attention to the types of Iranian art such as music, architecture considers the secret of the permanence of his praise of the Iranians in their efforts to preserve and revive Iranian rituals and customs.
Masoumeh Mahmoudi
Abstract
Love is a common theme in psychology and literary works that can be examined and compared according to the principles of interdisciplinary research. Sternberg, in his theory of love, believes that any individual follows certain patterns of romantic behavior affected by gender, cultural, and social factors ...
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Love is a common theme in psychology and literary works that can be examined and compared according to the principles of interdisciplinary research. Sternberg, in his theory of love, believes that any individual follows certain patterns of romantic behavior affected by gender, cultural, and social factors learns, called the love story. Then, on the basis of such romantic behavior patterns, the trend of emotional tendencies and the cause of the persistence or instability of romantic relationships can be explained. What has been considered in the present study is the conformity of the theme of romantic relationships in the plots of the analyzed stories with Sternberg's Theory of Love. The author of this article has attempted to match the couples' relationship patterns in my five novels of “My Bird”, “Dash, Eileen”, “Ecchymosis”, "Autumn is the Last Season”, and “I Turn Off the Lights”, with the love stories that Dr. Sternberg has outlined in his theory, and to indicate its importance in the cause and effect structure of plots. The love stories used in these novels are garden tales, fantasy, remedies and home based on which the logic of the stories’ plots can be explained. Adopting an intertextual perspective, the correspondence between fiction and Sternberg's psychological theory is of particular importance, and it is possible to suggest the study of such stories to teach love stories and correct the reader's inefficient beliefs.
Alireza hosseini; hasan azami khavird; maryam bakhshandeh; pourya esmaeili
Abstract
Intertextuality is a theory that deals with the relationship between literary texts and it considers each literary text as absorption and transformation of the various old and contemporary texts. Accordingly, literary commerce exists in different forms in the literature of nations, and less literature ...
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Intertextuality is a theory that deals with the relationship between literary texts and it considers each literary text as absorption and transformation of the various old and contemporary texts. Accordingly, literary commerce exists in different forms in the literature of nations, and less literature can be found that moves finely. A glance at Arabic poems of Khorasanian poets in the fourth and fifth centuries, shows the influence of the poetry of Pre-Islamic lyrics, especially Mu'allaqat-el Ashre on them. So the present research tries to review the causes of this impressibility by a comparative –analytic method to describe rate of this impressibility and intertextual relationship between Arabic poems of Khorasanian poets and Moalleghat-el Ashre. the research results indicated that for various reasons including rise of Islam and the necessity of being familiar with the Arabic language ,support of kings and philosophers from poets and literary men and a tendency towards entering state system and administrative affairs forced the Khorassanian poets to engage in composing Arabic poems and in consequence an intertextual relationship was made between them and Pre -Islamic lyrics and in all core elements of poetry, including the words, themes and structure and poetic style, established an elegance intertextual relationship with Moalleghat. There are all three itertextual rules as partial negation, total negation and monotonic negation in these two texts and the most of them includes monotonic negation which its sufficiency is regarded extensively in this research.
