Document Type : Original Article

Author

• siamak naderi

Master of Persian Language and Literature Department. Faculty of Law and Humanities. Islamic Azad University, Shiraz Branch, Young and Elite Researchers Club, Shiraz, Iran

Abstract

Part of the controversial and interpretable owl-blind atmosphere can be found in images that refer to thirteenth-century Tehran culture. To the storyteller people who are now part of the story. The surviving anecdotes of these people are so close to the characters and events of the blind owl that they create the suspicion that "guidance may have benefited them in the writing of the blind owl." The following can be categorized as: Owl Clock, Wise Wise or Anbar Organizer, Bibi Miss Wise and Wise, The Fate of a Worrying Patient, Sosari Hossein Goda and the Faithful Sultanate, Mehdi Ali Khan A Man from Varanasi, Tatawus Church, the popular ballad "Let's Not Eat Now", Grocery Lawyers, Butcher Man, Butcher Adam, Mohammad Bagher Golpayegani Trial, Open Water The Thirteenth Day and the Mansion of Sergei Fence. Rereading each of these elements can bring the blind owl to a historical autobiographical work (historical biography) centered on Safavid-Qajar Tehran. The author believes that with the anthropological notions given to the guiding principle, it is not unlikely that the owl-blind structure was based on a portion of these assumptions, which the article ahead of them It is prominent in the culture of thirteenth-century Tehran, where Tehran lived and undoubtedly had a thorough knowledge of oral culture.

Keywords

• Blind Owl (Boof –e- Koor)
• Personality
• Story
• Historical Narrative
• Tehran
• Safavid
• Qajari