Literary interdisciplinary research
Hadi Yousefi
Abstract
Social psychosis or cultural trauma is a term of medical knowledge and one of the new topics in the field of cultural sociology, which is used in the sense of individual and social psychological injuries. And at certain times, such as war and violence, etc., it dominates a society and makes the people ...
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Social psychosis or cultural trauma is a term of medical knowledge and one of the new topics in the field of cultural sociology, which is used in the sense of individual and social psychological injuries. And at certain times, such as war and violence, etc., it dominates a society and makes the people of that community react in certain way. A study of Iranian society during and after the Arab invasion; That is, during their rule over Iran - which clearly led to the cultural, linguistic and identity violation of Iranians- It indicates that the Iranian society is suffering from psychosis, or cultural trauma, which has provoked numerous reactions, from armed struggle to cultural activities. Ferdowsi is one of the people who, with a conscious understanding of cultural trauma and knowledge of its treatment methods, took a step towards the revival of Iranian society. Therefore, the present article, in a descriptive-analytical manner and with an example, examines Ferdowsi's wise strategies in order to cure the psychological wounds of Iranian society. The results show that Ferdowsi has considered three specific strategies of thought, identity and language and has developed all three strategies simultaneously with the composition of Shahnameh and finally warned the Iranian audience throughout the ages that if a nation in order to survive, he must preserve his language, and in his opinion, preserving the language is equal to preserving his identity and everything that depends on it.
Literary interdisciplinary research
khadijeh satyarvand; taggeh poornamdarian; Yousef Mohammad
Abstract
Ahmed Shamlou is considered one of the famous figures of new poetry. Since the image is often one of the important elements of poetry and according to the theory of intertextuality, which considers any text to be influenced by its previous or contemporary texts, by examining poetic images, it is possible ...
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Ahmed Shamlou is considered one of the famous figures of new poetry. Since the image is often one of the important elements of poetry and according to the theory of intertextuality, which considers any text to be influenced by its previous or contemporary texts, by examining poetic images, it is possible to understand the degree of connection or lack of connection between the poem and the ancient poetic heritage. For this purpose, the images expressed in the form of simile, metaphor, recognition, irony and artistic attribute in his poetry have been examined and analyzed.The current research has been done with descriptive-analytical method and with a view to the theory of intertextuality and the approach of literary traditionalism. CheckThe analysis of the research data has shown that despite the opinion of Shamlu's opponents, the poetic images of ancient Persian poets are reflected in his poetry in an explicit (the same image in a new context) and implied (a part of the image, an image with a new concept in a new context) form. Among these, the most direct or explicit reflection has taken place in the poetic images of irony and simile, and the indirect or implicit reflection in the poetic images of recognition, metaphor, and artistic attribute, respectively.
Literary interdisciplinary research
yahya talebian; Mohammad Sadegh Fattah Atani; Mahmod Bashiri
Abstract
Based on the findings of linguists, Alamuti dialect can be divided into the subgroup of North-Western languages of ancient Iran. Iranian languages can also be examined in the form of the large "Indo-European" language family. The horizon of comparison and connection of Alamuti dialect with English language ...
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Based on the findings of linguists, Alamuti dialect can be divided into the subgroup of North-Western languages of ancient Iran. Iranian languages can also be examined in the form of the large "Indo-European" language family. The horizon of comparison and connection of Alamuti dialect with English language in the beginning and origin in terms of form, phonetic and semantic structure, expands a wide range of research before the eyes of researchers, still many words with its old form and phonetic construction are used in the language of Alamuti speakers. In this article, some ancient morphological features of this dialect will be briefly mentioned. According to the research method which is descriptive and analytical, to prove the above attitude, twenty words and three suffixes that overlap with some English words in terms of phonetic form and meaning are examined and compared; First, he explores the words in the ancient origins and roots of Iranian languages (Pahlavi and Avestan), then he compares the words in a deeper view in the context of the Indo-European language family, and to these questions He answers that: What are the semantic and phonetic similarities of some words of Alamuti dialect with the words of the English language in their roots and origins? Are these similarities coincidental or does it indicate a common origin in a large language family? Based on this research, the ancient identity and originality of this dialect can be seen in the collection of Iranian languages and its connection with the family of Indo-European languages.
Literary interdisciplinary research
Mozhgan Rabbani; Mehyar Alavi Moghaddam; Mahmoud Firouzimoghaddam; Sahand Kheirabadi
Abstract
This article tries to analysis an adaptation film "Bloody Cow" by Behrouz Afkhami from a novel by Jafar Modarres Sadeghi based on the intersemiotics and the pattern of Roland Barthes’ narrative codes. In the criticism of cinematic works, we pay attention to the aesthetic aspects, staging, visual ...
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This article tries to analysis an adaptation film "Bloody Cow" by Behrouz Afkhami from a novel by Jafar Modarres Sadeghi based on the intersemiotics and the pattern of Roland Barthes’ narrative codes. In the criticism of cinematic works, we pay attention to the aesthetic aspects, staging, visual elements of the film and the theme of the film, mainly, and its semantic and signs meanings, semiology components are paid less attention. In analysis of cinema, the semiotic approaches pay attention to examines, analyzes and interprets the act of signification and the process of textualization, and the film as a signal visual system, including "image", "index” and the "symbol". In the intersemiotics approach, base on Roland Barthes’ pattern of narrative codes, ie. hermeneutic, cultural, semantic, active and symbolic codes, it is possible to analyze the analysis of cinematic films, including the adaptation of "Blood Cow". The result of this research is that by examining the distinctive sign system between these two linguistic-literary text and the visual text, it is possible to analyze the intersemiotics between a literary-narrative text (in this research: Blood cow novel) and the adaptation-narrative film (in this research: Blood Cow film). The analysis of intersemiotics of cinematic works, including the adaptation film"Bloody Cow" base on these narrative codes, enriches textual and cinematic studies.
Literary interdisciplinary research
Effat Neghabi; Mohammadreza Tusi
Abstract
The present study, with an interdisciplinary view of literature and cognitive sciences, is dedicated to the study of the metaphorical conceptualization of the emotions of love and sadness in the Persian poems by Mulla Mohammad Fozuli Baghdadi. The issue of this research is what metaphors do Fozuli's ...
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The present study, with an interdisciplinary view of literature and cognitive sciences, is dedicated to the study of the metaphorical conceptualization of the emotions of love and sadness in the Persian poems by Mulla Mohammad Fozuli Baghdadi. The issue of this research is what metaphors do Fozuli's Persian poems contain in the field of conceptualizing the said feelings? By examining the number of 5814 poems from Fozuli's Farsi poems it was found that 122 of metaphorical expressions of sadness and 107 of metaphorical expressions in the field of love were included. The conceptual metaphors of emotions in the poems are a reflection of the mentality and type of thinking of its creator, as well as the socio-cultural context of its metaphors. The findings of this research indicate that the emotions of love and sadness in Baghdadi's poems have similarities and differences with the realms of the metaphorical source of Kovecess (2000). The similarity of the metaphorical realms in the metaphorical conceptualization of emotions is a proof of the universal hypothesis of conceptual metaphors. The differences in the metaphorical origin realms in terms of Kovecess and Fozouli are also caused by the cultural beliefs of the specific social and cultural group of Baghdadi.
Literary interdisciplinary research
Mansoor Pirani; Marzieh Salimian
Abstract
The health, education and success of children in today's world is one of the most important issues in families, educational environment, culture and children's literature, which is reflected in stories, animations and other literary genres. The importance of this issue led to the study of children's ...
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The health, education and success of children in today's world is one of the most important issues in families, educational environment, culture and children's literature, which is reflected in stories, animations and other literary genres. The importance of this issue led to the study of children's literary works with a psychological approach. For this purpose, stories were studied; Among them, the story "I am not my daddy’s servant" written by Ahmad Akbarpour was chosen to clearly reflect this important point. The story narrates the problems of the life of a child named Davood, many of whose characteristics as the main character of the story reflect the personality of loving people based on the threefold division of Carnorhorney and compatible with his theory of psychoanalysis. This article, with a descriptive-analytical method, intends to identify and introduce the conflict of affection, to examine the main character of this story and to analyze her personality angles, which is a reflection of the characteristics of a loving person. The purpose of this article is to study the dimensions of benevolence and provide a solution to sublimate this important issue.
Literary interdisciplinary research
Ali Eshghi Sardehi
Abstract
The famous German sociologist Max Weber, by introducing the theory of social action, simplified the study of the degree of rationality in social actions. Weber and later his followers and like-minded people, by examined and categories of the four social actions, determined level of rationality in these ...
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The famous German sociologist Max Weber, by introducing the theory of social action, simplified the study of the degree of rationality in social actions. Weber and later his followers and like-minded people, by examined and categories of the four social actions, determined level of rationality in these actions. Iranian playwright Akbar Radi in "Staircase" play examines a part of this theory called goal-oriented action. The theory of social mobility or the ascent of a person from one social stratum to another is also explained by showing the life of Bolbol, a traveling fruit seller. In this play, the Bolbol becomes a wealthy construction contractor by resorting to theft, lying, breaking the covenant, forming a pressure group, bribery, and even unintentional murder. In the process of this social mobility, in addition to elements such as culture, alienation and the desire for promotion, and struggle and competition, phenomena such as suicide, dictatorship, migration and workers' strike are also discussed. The protagonist of the play of Akbar Radi, although he manages to improve his economic position, but due to abnormal social behaviors cannot change himself cultural position.
