yahya marouf; maryam jalali nejad
Abstract
The image is one of the origins of metaphor. One of the most recent ideas provided by the semantics linguists is visual imagery. This theory was first introduced by Mark Johnson's linguistics (1987). Image schema is the complexity of human mental concepts because of its voluminous understanding of concepts, ...
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The image is one of the origins of metaphor. One of the most recent ideas provided by the semantics linguists is visual imagery. This theory was first introduced by Mark Johnson's linguistics (1987). Image schema is the complexity of human mental concepts because of its voluminous understanding of concepts, Hence, one of the basic infrastructures of conceptual metaphor. Adnan al-Saqaq is one of Iraq's most prominent contemporary poets who has taken the best of aesthetic and innovative work in his poems. Image schemas are a clear semantic tool for understanding Adnan's poems. The use of visual schemas has created a special metaphorical and poetic style for Adnan al-Sayegh. He uses the intelligent approach to translate his concepts and concepts into his audience. In this article, an attempt has been made to use a descriptive-analytical method to first look at theoretical literature of research in the following, we will analyze and analyze the visual schemas in the metadata of Adnan al-Saqaq. The most important finding of this article is that the motion schema is one of the most frequent types of schemas used in the Adnan affair.
Anahita Partovi; Soheil Saadatinia; Nadia Hajipour
Abstract
The present study is aimed to compare the conceptual metaphor of “grief” in Marsiya(written by Mullah Ali Fakher) and Habsieh(written by Masud Sa’ad Salman) poems, from cognitive semantics point of view. Data includes 4300 verses from selected Marsiya and about 18000 verses from Habsieh. ...
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The present study is aimed to compare the conceptual metaphor of “grief” in Marsiya(written by Mullah Ali Fakher) and Habsieh(written by Masud Sa’ad Salman) poems, from cognitive semantics point of view. Data includes 4300 verses from selected Marsiya and about 18000 verses from Habsieh. 12 names of mapping were found in Habsieh and 16 in Marsiya (including: “Power”, “Thing”, “pain”, “Disaster”, “Hardship”, “Human”, “living thing”, “Time/Event”, “Material”, “Element of nature”, “Container”, “fire”, “Utensil”, “Food”, “Captivity”,” Disease”, “Plant” and “culture” . 8 names of mapping are common in both Habsieh and Marsiya including: “Thing”, “Human”, “Fire”, “Material”, “Dish/container”, “Utensil”, “Food/edible” and “Disease”. But Habsieh and Marsiya are different in elaborating the feeling of “grief”. For instance “grief” with the name of mapping “Human” is a broody and depressed human being in Marsiya while in Habsieh , “grief” with the name of mapping “Human” is a friend and companion for a man who is alone in prison.
