Literary interdisciplinary research
Saeedeh Tahiri Rustomi; Mandana Mangeli
Abstract
The present article examines the behavioural traits of the characters in the novel 'Autumn Is the Final Season’ by Naseem Marashi (born in 1363) which is based on the theory of traits propounded by Ramond Bernard Cattell (1905-1998). The main characters of the novel are three women named Leila, ...
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The present article examines the behavioural traits of the characters in the novel 'Autumn Is the Final Season’ by Naseem Marashi (born in 1363) which is based on the theory of traits propounded by Ramond Bernard Cattell (1905-1998). The main characters of the novel are three women named Leila, Roja and Shabana who have behavioural traits emanating from migration, family, emotions and works. One of the views related to personality can be called the theory of Ramond Bernard Cattell. This theory tries to describe a person’s traits that are caused by his behavioral personality. His formal traits are obvious and superficial and are of short duration. According to Raymond Cattell deep traits are embedded and more prominent in a person. Ramond Cattell enumerates sixteen factors which form the traits of a character. This article is a descriptive analysis of them and answers to the fundamental question that which type of character in the novel ‘Autumn Is the Final Season’ fits into the theory of Cattell. According to the result of my research which was conducted on Ramond Cattell’s theory which shows that the character in the novel happens to be more anxious and disturbed.
Literary interdisciplinary research
sanaz khoshhesab; moosa parnian; soussan jabri
Abstract
Introduction
Nowadays, literary sociology theory, as an appropriate mechanism for recognition and social and cultural analysis, has been considered by literary scholars. Among the many works, stories are more inclusive of various social issues that can be studied more deeply than the writer's community. ...
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Introduction
Nowadays, literary sociology theory, as an appropriate mechanism for recognition and social and cultural analysis, has been considered by literary scholars. Among the many works, stories are more inclusive of various social issues that can be studied more deeply than the writer's community. In the meantime, the titles of the stories as the first sign that the reader is encountered, reveal the secrets of the quality and content of the work, the thoughts and feelings of the author, and especially the environmental conditions of the creation of the work. Hence, the titles of the works represent both emotional, social, historical, indigenous and climatic situations and in a wider range of metaphors, metaphors, metaphors, allegories and compositions or symbolic phrases that convey their creator's feelings, thoughts and beliefs to the audience.
The question of this research is that what the social conditions surrounding the creation of the work have had in the title of contemporary stories from 1941 to 1978?
In this research, we have analyzed the titles of Persian stories from 1953 to 1978. The research method is a descriptive analysis which is done as a library method.
Review
Much has been said about contemporary fiction and the examination of various aspects of its long and short stories. Sometimes the works of a storyteller and sometimes periodically or stylistically examine.
In general, there has not been an independent research on the topic of "title" of Persian stories from 1953 to 1978 with a sociological approach.
Conclusion
In reviewing about 1200 of the titles of stories written in the years (1953-1978), we find that bitter streaks of despair, tyranny and repression of the coup of August 1953 (1953-1963) are seen in the story plans of post-coup years. In the second period (1963-1978), reactions to the sudden arrival of modernity and its influence on the social structure of traditional Iran are evident. The findings showed that the titles of the stories were influenced by the social conditions of the creation of the work following the plotting of the story in these two historical periods.
Literary interdisciplinary research
ataollah koopal
Abstract
All authors have long sought to find attractive and lasting names for their works, and the discussion about the entitling of literary works has been as important as study on their structure and content, in the discussions of literary criticism. The main approach of the article is based on an interdisciplinary ...
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All authors have long sought to find attractive and lasting names for their works, and the discussion about the entitling of literary works has been as important as study on their structure and content, in the discussions of literary criticism. The main approach of the article is based on an interdisciplinary foundation, between literature and linguistics. The article aims to present a comprehensive classification of naming methods of literary works using the knowledge of linguistics and based on the construction rules of the Persian language. The claim of this article is that the writers of Iran and the world have used very definite and limited methods in the construction of language to entitle their works, whether in Persian or in other languages, and many of these methods are similar. This article is written in a descriptive and analytical way, using the approach of analyzing the names of literary works, based on “construction” and “Persian grammar”. The author of this article has used syntactic and grammatical classification methods in the classification of names. The article tries to reach this conclusion, contrary to what is believed, entitling a literary work is the most difficult part of creating a work; the naming of works follows simple and repetitive patterns, familiarity with which can facilitate the naming of literary works for any contemporary writer.
Mahdiee Ebrahimi; fateme casi
Abstract
In the novel, “Fire without smoke” , Nader Ebrahimi introduces many of the cultural components of Turkmens desert people such as customs, beliefs, beliefs, etc. As no comprehensive research has ever been done with this title, the current paper aims to extract and study the cultural properties ...
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In the novel, “Fire without smoke” , Nader Ebrahimi introduces many of the cultural components of Turkmens desert people such as customs, beliefs, beliefs, etc. As no comprehensive research has ever been done with this title, the current paper aims to extract and study the cultural properties of " Fire withouth smoke" as far as possible in an analytical-descriptive method. The Smoke-Free Fire novel divided under the main titles: The religious beliefs and customs, the family, the essentials of life, beliefs and traditions, and inconsistency with the ruling ideology, that each of these main titles will include sub-titles associated with them. In this chapter, under each title, first of all it is attempted to introduce a brief description of the origin and nature of that title, and then the extracted samples of the novel text are analyzed based on theoretical foundations. After recognizing these cultural elements, the reason for many of the behaviors and the remarks of the characters of the novel is determined by the influence of the ideology and ruling hegemony, and all the elements of the novel, as part of a general structure that reflects the cultural and anthropological characteristics of the community under discussion, plays its role and in this way, an understanding, though brief, of the cultural components is achieved such as personality and values of the Turkmen people during the period of the work
