Literary interdisciplinary research
maryam dorpar; helma Amiri
Abstract
رمانس امیرارسلان که در روساخت یک روایت عاشقانۀ طولانی است و در آن حوادث خارق‌العاده روی می‌دهد، مورد توجه ناصرالدین شاه قاجار بوده است. با توجه به این که در نظام پادشاهی، ...
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رمانس امیرارسلان که در روساخت یک روایت عاشقانۀ طولانی است و در آن حوادث خارق‌العاده روی می‌دهد، مورد توجه ناصرالدین شاه قاجار بوده است. با توجه به این که در نظام پادشاهی، شاه در رأس هرم قدرت قرار دارد و روایت-شنویی او می‌تواند معنادار باشد، مسئله‌ای که پژوهش حاضر بدان می‌پردازد، بررسی رابطۀ معنادار بین روایت امیرارسلان با زندگی و شخصیت روایت‌شنو خاص آن- ناصرالدین شاه- است. این مطالعه از طریق بررسی مقولۀ قدرت در رمانس امیرارسلان به انجام می‌رسد؛ با طرح این پرسش‌ها که چه عواملی در ایجاد قدرت فرادست در این رمانس نقش دارند و مقولۀ قدرت به چه انواعی قابل دسته بندی است؟ و چه رابطۀ معناداری بین زندگی و شخصیت ناصرالدین شاه و روایت امیرارسلان وجود دارد؟ نتایج پژوهش نشان می‌دهد که در زیرساخت این روایت عاشقانه، قدرت مقوله‌ای پیچیده است که با ابزارهایی مانند برجسته‌سازی و حاشیه‌رانی، شکل‌گیری هویت‌های چندگانه، موقعیت سوژه‌ها، تخاصم و غیریت‌سازی و عشق به‌عنوان ابزاری قدرتمند که مبارزه را به‌عنوان دال مرکزی در درون گفتمان خود دارد، شکل می‌گیرد و به انواع قدرت نرم و قدرت سخت قابل دسته‌بندی است. همچنین نتایج پژوهش نشان می‌دهد که امیرارسلان در جایگاه قهرمان، دالی است که جانشین استعاری غیاب بزرگ شجاعت، مسئولیت‌پذیری و اعتماد به نفس بالا در وجود ناصرالدین شاه بوده است و تحقق آرزوهای دست نیافته ناصرالدین شاه - در دوران، کودکی، جوانی و بزرگسالی- در جهان روایت، این قصه را برای او چنان جذاب نموده که چندین بار از زبان نقال زبردست دربار به این قصه گوش فرا داده است.
Literary interdisciplinary research
Mahnaz Jokari; Saeed Hesampour
Abstract
Motherhood is a concept that its representation in the real world is influenced by theories, history, legends and constructions that are institutionalized in the culture of a nation. In this research, considering the importance of motherhood in young adults' novels, we have investigated the types ...
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Motherhood is a concept that its representation in the real world is influenced by theories, history, legends and constructions that are institutionalized in the culture of a nation. In this research, considering the importance of motherhood in young adults' novels, we have investigated the types of mothers' subjectivity. The purpose of this research is to investigate the variety of mothers' subjectivity in the history of young adults' novels. The approach of the research was to examine the subject and power from Foucault point of view and other theorists, and the research method was qualitative and inductive data analysis. For this purpose, more than 30 fiction works from the 5 recent decades have been reviewed and, in this research, 15 examples in 6 categories of mothers' subjectivity have been extracted. The results of the research show that the subjectivity of mothers in these works from the 50s until now, according to the passage of time, does not vary much and is always defined under the influence of power relations. After examining the works, 6 categories of subjectivity for mothers can be listed: 1. None subjectivity; 2. objective; 3. Accomplice subject; 4. mediating subjectivity (emphasized femininity); 5. discourse subjectivity; 6. Economic subject.
Literary interdisciplinary research
Tahereh Ishany; Maryam Ameli Rezaei; Ali Janmohammadi
Abstract
By analyzing the different layers of the text, critical stylistics seeks to identify hidden concepts beneath the surface of the language and to discover the ideology that governs it and the networks of power in the text. Given that the Dervishian are ideological, protesting, and critical writers of the ...
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By analyzing the different layers of the text, critical stylistics seeks to identify hidden concepts beneath the surface of the language and to discover the ideology that governs it and the networks of power in the text. Given that the Dervishian are ideological, protesting, and critical writers of the time, understanding the ideologies and, consequently, the social, economic, and cultural disorders of his day is of great importance among his works. The present study was done with a critical stylistic approach and in a layered manner using descriptive-analytical and statistical methods; It seeks to answer these questions: First, what are the most obvious stylistic features of Ali Ashraf Darvishian's stories with regard to layered stylistics? What is the hidden ideology of the hypertext of Dervishian stories? And how are power relations manifested in the stories of Ali Ashraf Darvishian? The results of this study indicate that the most prominent feature of the style of Darvishian's stories is the application of the element of the centralization and the author's ideology includes "fight against poverty", "fight against ignorance", "fight against injustice" and "fight against tradition". Also, as can be seen from the Darvishian stories and looking at Michel Foucault's definition of power, it can be said that power in this series of stories is a chain, complex and layered category at all levels of society.
Jafar Fasaei; ALI BALAGHI
Abstract
Machiavelli's relation to literary theory goes back to the early twentieth century. After this date relatively significant works in Persian literature have been criticized by Machiavelli's Thoughts. And this process continues until now. The present article first deals with the genealogy of this process ...
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Machiavelli's relation to literary theory goes back to the early twentieth century. After this date relatively significant works in Persian literature have been criticized by Machiavelli's Thoughts. And this process continues until now. The present article first deals with the genealogy of this process in Persian literary criticism And then he looks at the pathology of such research. . The results show that most of this flow is due to disregard of Machiavelli's actual position In the discourse of Western political thought And by reducing the ideas of this thinker- Because of the use of incorrect translations- Provides incomplete information about Machiavelli and thus This misconception as a literary theory has been applied in the process of literary criticism Its sum often results in incomplete results and inaccurate readings of texts.
